BAHRAIN INTELLECTUAL PROPERTY
GUIDE
Authors – Menna Mekhtar – Racha
Monzer
Date last updated – 5 October
2026
Ministry of Information Procedures, Required
Documents, Applicable Laws and Protection Terms (2026)
Ministry of Information – Directorate of Media Administration
| Bahrain Copyright Office
Need help protecting copyright in Bahrain? Contact our Bahrain team | Contact us
Copyright registration in Bahrain is a voluntary copyright
deposit and recordal. Copyright protection arises automatically when an
original literary, artistic or scientific work is created; deposit or
registration is not a condition for protection.
|
Topic |
Key information |
|
Competent authority |
Ministry of Information – Directorate of Media Administration,
Kingdom of Bahrain. |
|
Principal legislation |
Law No. 22 of 2006 on the Protection of Copyright and
Neighbouring Rights, as amended by Law No. 12 of 2008, Law No. 3 of 2011 and
Law No. 5 of 2014. |
|
Who may apply |
The author, economic-rights owner, successor in title or
assignee, another entitled natural or legal person, or an authorized
representative acting under a power of attorney. |
|
Indicative timeframe |
Generally 3 to 15 days for complete applications, according to
the Directorate. This is an administrative estimate, not a legally binding
deadline, and should be reconfirmed for each filing. |
|
Core documents |
Application, copy of the work, identification, and any
required power of attorney, corporate evidence, chain-of-title documents and
certified Arabic translations. Confirm the exact requirements for the filing. |
|
Filing route and fees |
The guide describes a temporary email-filing route pending an
electronic portal. Confirm the current filing route and official fees in
writing with the Directorate for each filing. |
|
Protection terms |
Economic-rights terms depend on the type and ownership
structure of the work. Authors’ moral rights are perpetual, non-prescribable
and inalienable. |
|
Effect of deposit |
The record may support evidence of the work, claimant and
deposit date. It does not conclusively establish originality, authorship,
ownership or non-infringement. |
·
Summary
·
Competent authority
·
Nature and legal effect of the
procedure
·
Bahrain copyright laws and
procedures
·
Relevant timeframes
·
Deposit certificate
timeframe | Copyright protection terms
·
Who may apply for copyright
protection in Bahrain
·
Process for filing copyright
deposits in Bahrain
·
Electronic Copyright Portal |
Temporary Filing Procedure
·
General documents required
·
Information required
·
Applicant information |
Author information | Ownership information | Work
information | Filing-specific information
·
Additional requirements by type
of work
·
Official Fees
·
Objections and Appeals
·
Copyright Infringement
·
Practical Enforcement
Considerations
·
Important procedural
qualification
·
Official and supporting online
sources
·
Related Alyafi IP Group
resources
·
Frequently Asked Questions
·
Quick navigation
·
Appendix 1: Copyright deposit
submission requirements matrix
The competent
authority is the:
Ministry of
Information Directorate of Media Administration Kingdom of Bahrain
Article 13 of Law No. 22 of 2006 refers to the “competent
Authority” rather than naming a ministry. WIPO’s current IP-office directory
lists the “Bahrain Copyright Office” under the Ministry of Information Affairs,
Directorate of Media Administration, while Bahrain’s current government website
uses the name Ministry of Information. Accordingly, “Bahrain Copyright Office”
is used in this guide as WIPO’s directory label and not as a confirmed formal
internal department title. The Ministry of Industry and Commerce administers
industrial-property rights and should not be identified as the authority
responsible for voluntary copyright deposits.
Article 1 of the Implementing Regulations on Intellectual
Property Rights provides that:
«”Authors and right holders may deposit their works
with the Publications and Publishing Directorate of the Ministry of Information
to obtain an official certificate.”»
Source: https://www.wipo.int/en/web/country-profiles/contact?code=BH.
According to Article 2
of Law No 22 of 2006, of the copyright regulations, copyright protection arises
automatically when an original literary, artistic or scientific work is
created. Deposit or registration is not a condition for protection. The
procedure is therefore more accurately described as a voluntary copyright
deposit and recordal, although it is commonly referred to as copyright
registration.
Article 13 permits the rightful party to deposit a protected
work with the competent authority and enter it in the register established for
that purpose. The resulting record may support evidence concerning the identity
of the deposited work, the claimant and the date of deposit, but it does not
conclusively establish originality, authorship, ownership or non-infringement.
A historical Bahrain government response to a WIPO survey stated that the
certificate could be submitted to a court as a legal document; that statement
supports an evidentiary role but does not make the certificate conclusive
proof.
This guide concerns voluntary copyright deposit under
Article 13. It does not address mandatory legal-deposit obligations that may
apply separately to publishers, printers or producers of published material
under Bahrain’s publishing and national-library framework.
Source: https://www.wipo.int/documents/d/copyright/docs-en-registration-replies-bahrain.pdf
Copyright and neighbouring rights in Bahrain are principally
governed by Law No. 22 of 2006 on the Protection of Copyright and Neighbouring
Rights, as amended by Law No. 12 of 2008, Law No. 3 of 2011 and Law No. 5 of
2014. The law regulates protected works, authorship and ownership, moral and
economic rights, copyright duration, permitted uses, neighbouring rights,
enforcement, online-service-provider liability, collective management and
voluntary deposit or recordal.
Law No. 12 of 2008 amended Article 13 expressly to permit
the rightful party to deposit protected works with the competent authority and
enter them in the designated register. Article 13 also contemplates a
ministerial decision regulating deposit, recordal and the applicable fees.
The principal legal framework comprises:
·
Law No. 22 of 2006 on the
Protection of Copyright and Neighbouring Rights, as amended;
·
Law No. 12 of 2008 amending
Article 13 and introducing the express voluntary-deposit mechanism;
·
Law No. 3 of 2011 and Law
No. 5 of 2014, which amended provisions of the copyright law; and
·
any implementing
ministerial decisions and administrative requirements applied by the Ministry
of Information.
No provision located in Law No. 22 of 2006, its published
amendments or the publicly available materials reviewed establishes a 60-day
statutory or regulatory processing period. Based on a meeting with the Ministry
of Information – Directorate of Media Administration, Kingdom of Bahrain, the
Directorate confirmed that copyright deposit applications are subject only to a
formal examination, whereby it verifies that all required documents for the deposit
are complete and duly submitted. Once the formal requirements are satisfied,
the deposit certificate is issued. According to the Directorate, the
certificate is generally issued within 3 to 15 days for complete applications.
It was also confirmed that a copyright deposit remains valid indefinitely and
is not subject to renewal or annual maintenance fees; however, the current
practical timeframe is 3 to 15 days, although this remains an administrative
estimate rather than a legally binding deadline and should be reconfirmed for
each filing.
Copyright protection begins automatically upon creation of a
qualifying original work and is unaffected by whether the work is deposited.
The applicable economic-rights term depends on the type and ownership structure
of the work. Authors’ moral rights are perpetual, non-prescribable, and
inalienable under Article 5. Performers receive corresponding perpetual moral
rights under Article 14.
|
Type of work or right |
Definition |
Term of economic rights |
Term of moral rights |
Legal basis |
|
Literary and artistic works generally, including
written works, software, musical works, drawings, graphic designs,
photographs, maps and derivative works |
Works
expressed in writing or language, including books, articles, novels, poems,
research papers, lectures, speeches, and other written or verbal literary
creations. |
Author’s
lifetime plus 70 years, beginning on the first day of the calendar year
following the year of death, except where other provision is made in this
subsection. |
Perpetual,
non-prescribable and inalienable |
Articles
2, 5 and 37 |
|
Logo protected as a drawing, graphic design or other
artistic work |
Artistic
works created through visual expression using techniques such as drawing,
painting, illustration, or similar methods. |
Author’s
lifetime plus 70 years, beginning on the first day of the calendar year
following the year of death |
Perpetual,
non-prescribable and inalienable |
Articles
2(7), 5 and 37 |
|
Joint work |
A work
created with the participation of more than one author, whether or not each
individual contribution can be distinguished from the others, and which
cannot be classified as a collective work |
Throughout
the lives of all co-authors and for 70 years beginning on the first day of
the calendar year following the death of the last surviving co-author |
Perpetual
for each author |
Articles
5, 14 and 38 |
|
Audiovisual works |
Any
work made up of a sequence of interconnected images which gives the
impression of movement, whether or not accompanied by sound |
70 years
beginning on the first day of the calendar year following first lawful
publication; if not lawfully published within 50 years after creation, 70
years beginning on the first day of the calendar year following creation |
Perpetual
moral rights attach to the relevant authors; the producer represents the
authors, except authors of musical works, in exploiting the rights unless
otherwise agreed in writing |
Articles
5, 35 and 39 |
|
Collective works |
A work
created with the participation of more than one author, at the initiative and
under the guidance of a natural or juridical person who pledges to publish it
in his name, and in which the contribution of each author is assimilated
into achieving the overall goal sought by that person |
70 years
beginning on the first day of the calendar year following first lawful
publication; if not lawfully published within 50 years after creation, 70
years beginning on the first day of the calendar year following creation |
Unless
otherwise agreed in writing, the person that initiates, directs and publishes
the collective work in its name owns the moral and economic rights |
Articles
5, 33 and 39 |
|
Anonymous or pseudonymous works |
Works
published without identifying the author or under a pseudonym are protected
under Bahrain copyright law. Where the author’s identity is not revealed |
70 years
beginning on the first day of the calendar year following first lawful
publication; if not lawfully published within 50 years after creation, 70
years beginning on the first day of the calendar year following creation. If
the author becomes known or reveals identity during the term, Articles 37 or
38 apply, as appropriate |
Perpetual
under Article 5; until identity is revealed or proved, the named publisher
may act as the author’s representative under Article 31(2)(b), subject to the
statutory pseudonym exception |
Articles
5, 31(2)(b) and 40 |
|
Works of applied art, potentially including a logo
embodied in packaging, products or commercial articles |
Artistic
creations incorporated into functional or industrial products, where the
artistic element has creative character. |
70 years
beginning on the first day of the calendar year following first lawful
publication; if not lawfully published within 50 years after creation, 70
years beginning on the first day of the calendar year following creation |
Perpetual,
non-prescribable and inalienable |
Articles 5
and 41 |
|
Performers’ rights |
Actors,
singers, musicians, dancers and other parties who act, sing, recite,
chant, or in any way perform any of the following: (a) Works, whether
protected or unprotected by the provisions of this Law, or which
have passed into the public domain due to the expiry of the period of
protection |
70 years
beginning on the first day of the calendar year following first lawful
publication of the recorded performance; if not lawfully published within 50
years after the performance, 70 years beginning on the first day of the
calendar year following the performance |
Performer’s
attribution and integrity rights are perpetual, non-prescribable and
inalienable |
Articles
14 and 42 |
|
Producers of phonograms |
The
natural or juridical persons who, on their own initiative and
responsibility, first fix sounds or first fix any representation of
those sounds |
70 years
beginning on the first day of the calendar year following first lawful
publication of the phonogram; if not lawfully published within 50 years after
it was made, 70 years beginning on the first day of the calendar year
following the year it was made |
No
separate moral right is expressly granted |
Articles
16 and 43 |
|
Broadcasting organizations |
Entities
responsible for transmitting radio or television broadcasts to the public.
Their neighbouring rights protect the broadcast signals and the
organisation’s investment in creating and transmitting the broadcast. |
20 years
beginning on the first day of the calendar year following the year of first
transmission |
No
separate moral right is expressly granted |
Articles
17 and 44 |
Article 13 refers to the “rightful party.” A deposit may
therefore be filed by:
·
the author;
·
the owner of the economic
rights (or copyright owner)
·
a successor in title or
assignee
·
a natural or legal person
to whom rights belong under an employment, commissioning or other agreement or
·
an authorized
representative acting under the power of attorney.
Where the applicant is a company and the work was created by
an individual designer, author, employee or contractor, the filing should
include evidence establishing the company’s title. Article 36 may vest economic
rights in the owner or commissioning party where the work results from a
contract or obligation involving full dedication of effort, unless otherwise
agreed in writing. A clear written assignment or agreement remains advisable,
particularly for foreign applicants and commissioned logos.
Foreign-owned works may qualify for copyright protection in
Bahrain under both the national legal framework and Bahrain’s international
treaty obligations. While a historical government response to WIPO indicated
that foreign applicants without legal residence in Bahrain could not register
or record works, no current published legislation or official guidance
confirming this restriction was identified. During a recent meeting with the
Ministry of Information – Directorate of Media Administration, Kingdom of
Bahrain, the Directorate confirmed that foreign applicants, including those
without residence in Bahrain, are permitted to file applications for the
deposit and registration of their copyrighted works. The Directorate explained
that this approach is consistent with Bahrain’s obligations under the Berne
Convention for the Protection of Literary and Artistic Works, which establishes
the principle of national treatment, requiring member states to afford authors
from other member countries the same protection granted to their own nationals.
Accordingly, foreign applicants may file copyright deposit applications without
establishing residency in Bahrain. Nevertheless, documentary requirements,
including powers of attorney, corporate evidence, chain-of-title documents,
authentication or legalization formalities, and certified Arabic translations,
may still apply depending on the circumstances of the filing and should be
confirmed with the Directorate on a case-by-case basis.
Although direct filing is permitted, it is recommended that
applicants file through a licensed lawyer or authorized agent to facilitate
communication and follow-up with the Ministry.
The Ministry has issued internal administrative decisions
establishing a temporary filing procedure pending the launch of the electronic
copyright registration system.
·
The Ministry is currently
developing an electronic portal for copyright registration.
·
The portal is expected to
become operational by the end of October.
·
Once launched, all
copyright applications and related procedures will be submitted and processed
electronically through the portal.
Until the electronic portal becomes operational:
All copyright applications must be submitted by email. Ms.
Mariam Al Omran has been designated as the officer responsible for receiving
and processing copyright applications.
·
Email:
mariam.alomran@info.gov.bh
Accordingly, the temporary filing process may be summarized
as follows:
1. Classification of the copyright work and
preparation of the application – The work is classified according to its
nature, such as a written work, artistic work, work of applied art, photograph,
audiovisual work, musical work, sound recording, software or database. Before
filing, an email should be sent to Ms. Mariam Al Omran with A soft copy/PDF of
the copyrighted work to confirm the specific documentary requirements,
including any authentication or legalization formalities applicable to the
relevant category of work. The application, together with a copy of the work,
the applicant’s details, and the documents evidencing ownership, should then be
prepared.
2. Filing of the copyright deposit application
– The application is submitted electronically through email to the Ministry of
Information – Directorate of Media Administration through the responsible
officer’s email (mariam.alomran@info.gov.bh). Upon submission, the Directorate
provides within three working days a dedicated electronic link through which
the applicant may monitor the status of the application. The filing should
include the application form, a copy or representation of the work, and any
supporting documents, translations, and applicable official fees confirmed by
the Directorate..
3. Formal examination – The Directorate
conducts a formal examination of the application to verify the category of the
copyrighted work; the completeness of the required documents; and any
supporting evidence of use, where applicable. If additional documents or
actions are required, the applicant will be notified during this period. This
examination is limited to the formal completeness of the application and does
not extend to a substantive assessment of the work. This procedure reflects the
Directorate’s current administrative practice rather than an express statutory
requirement.
4. Acceptance and entry in the copyright
register – Once the application satisfies the applicable formal requirements,
the work is deposited and entered in the copyright register maintained under
Article 13.
5. Issuance of the deposit or registration
certificate – Article 13 provides for registration/deposit, but I could not
identify a publicly available provision expressly stating that a “certificate”
must be issued. Nevertheless, the Ministry of Information – Directorate of
Media Administration has confirmed that, upon successful completion of the
formal examination and acceptance of the application, an official deposit
certificate is issued as part of its administrative practice..
6. Timeframes – Neither
the Copyright Law nor the published implementing legislation prescribes
statutory time limits for examining copyright deposit applications or issuing
the deposit certificate. However, the Ministry of Information – Directorate of
Media Administration has confirmed that, in practice, the examination process
and issuance of the deposit certificate are generally completed within 3 to 15
days, provided that the application is complete and all required documents have
been duly submitted.
7. Publication – The
Ministry is not responsible for publishing the copyrighted work. Publication
remains the responsibility of: the copyright owner; or the publishing house
responsible for the work.
Article 13 contemplates that a ministerial decision would
regulate these procedural matters. However, no such ministerial decision
appears to have been published. Accordingly, in practice, these procedures are
administered in accordance with the Ministry of Information’s internal
regulations and administrative practices.
Status of this checklist: A historical Bahrain government
response to WIPO identified a completed form, identification or
commercial-registration evidence, a copy of the work, the fee and a power of
attorney where the applicant differs from the owner. However, during a recent
meeting with the Ministry of Information – Directorate of Media Administration,
the Directorate clarified that the applicant should initially submit a soft
copy (PDF) of the work, together with the available supporting documents corresponding
to the nature of the work. If the filing relates to a specific type of request
or category of work, an email should first be sent to the officer responsible,
Ms. Mariam Al Omran, to identify the exact documentary requirements applicable
to that particular filing. Accordingly, any additional authentication,
legalization, or certified Arabic translation requirements should be confirmed
with the Directorate on a case-by-case basis before submission. All the
required documents are submitted in soft copy; however, the Ministry may
request a copy of the original documents for verification.
|
Document |
Authentication
status |
Deadline |
Notes |
|
Completed copyright deposit application |
Submitted
electronically to the Ministry of Information – Directorate of Media
Administration through the responsible officer’s email
(mariam.alomran@info.gov.bh). |
At filing |
The form
should identify the applicant, author, work and basis of ownership. Confirm
the current Ministry form, language and submission method. |
|
Power of attorney |
Notarized for
nationals and GCC residents. |
At filing |
Should
authorize copyright deposit and related representation before the Ministry of
Information. |
|
Identification document of each author |
Simple copy |
At filing |
Identification
was included in the historical official checklist. Identification documents
must be provided for each author, and the Ministry may request the original
documents for verification during the examination process. |
|
Identification of an individual applicant
or authorized signatory |
Simple copy |
At filing |
Passport or
national ID may be requested for the individual applicant or company
signatory; confirm the current scope. |
|
Corporate documents where the applicant
is a company |
Notarized for
nationals and GCC residents. |
At filing |
Certificate
of incorporation, commercial registration or equivalent evidence of legal
existence and signatory authority may be required. |
|
Assignment or chain-of-title document
where the applicant is not the individual author |
Notarized for
nationals and GCC residents. |
At filing |
Copyright
assignment, commissioning agreement, employment agreement, succession
document or other evidence establishing ownership. |
|
Complete copy or representation of the
work |
A soft
copy/PDF |
At filing |
A copy of the
work must be submitted. The required file format, medium of submission, and
the number of copies depend on the nature of the work. These requirements
should be confirmed with the Ministry prior to filing. |
|
Arabic translations of foreign-language
documents |
Certified
Translation |
At filing |
The
translation should be certified, regarding documents that must be translated
into Arabic should be confirmed with the Ministry prior to filing |
·
Full legal name and
applicant type (individual or legal)
·
Nationality or country of
incorporation.
·
Legal status and corporate
form, where applicable
·
Registered and
correspondence addresses.
·
Telephone number and email
address.
·
Commercial-registration or
incorporation number, where applicable.
·
Name, title and authority
of the signatory.
·
Basis on which the
applicant owns the copyright (e.g., author, assignee, successor, employer, or
other rights holder).
·
Full legal name,
nationality and address.
·
Passport or
national-identification number.
·
Role in creating the work.
·
Whether the work was
created independently, in employment, under commission or jointly.
·
Details of all co-authors
and their respective contributions.
·
Whether the author retained
any economic rights.
·
Whether the author and
applicant are the same person.
·
Basis and date of
acquisition of economic rights, where the applicant is not the author.
·
Date and parties to any
assignment, commissioning or employment agreement.
·
Scope of the transfer,
including rights, territory, duration and authority to deposit the work.
·
Details of any previous
transfer, licence, security interest or other transaction.
·
Title and category of the
work.
·
Brief description and
language, where applicable.
·
Date and place of creation
or completion.
·
Whether the work has been
published or disclosed.
·
Date and country of first
publication, if applicable.
·
Publisher or producer
details, if applicable.
·
Details of any previous
deposit or registration.
·
Details of prior versions
and pre-existing material.
·
Confirmation that any
third-party material is authorized.
·
Whether the work is filed
in colour, black and white, or both.
·
Whether different versions
are intended to be covered.
·
Requested confidentiality
and the Ministry’s handling arrangements for deposited material, to be
confirmed before sensitive content is submitted.
·
Whether a certified or
authenticated certificate is required.
·
Details of the local
representative.
The category-specific lists below are suggested supporting
materials for preparing a complete and defensible filing. They have not been
verified as official category-by-category Ministry requirements. The historical
Bahrain response to WIPO stated that the same registration or recordation
process applied across different types of works and related-rights subject
matter.
·
a clear, high-resolution
colour reproduction of the final work;
·
a black-and-white
reproduction where the applicant also wishes to identify a monochrome version;
·
the title or name assigned
to the work;
·
a brief description of the
visual elements and composition;
·
dimensions or proportions,
where relevant;
·
the designer’s details;
·
the date and place of
creation;
·
the date and place of first
publication or use, if any; and
·
the agreement or other
document establishing the applicant’s ownership where the applicant is not the
designer.
Practical note: Only
the final version intended to be covered should ordinarily be submitted.
Materially different versions may be treated as separate works or deposits.
·
colour photographs or
renderings showing the complete work;
·
images from sufficient
angles to show all material features;
·
technical drawings,
elevations or plans where relevant;
·
a written explanation
identifying the artistic, rather than purely functional, elements;
·
dimensions and materials,
where applicable; and
·
details identifying the
designer and rights owner.
·
the complete manuscript or
final written work;
·
a title page identifying
the work and author;
·
number of pages and
language;
·
publication details, if
published;
·
publisher and printer
details, where applicable;
·
edition number and
completion date; and
·
details of the original
work and translator if the work is a translation.
·
high-resolution copies of
the photographs;
·
a title or identifying
number for each photograph;
·
photographer details;
·
date and location of
creation;
·
publication details, where
applicable; and
·
assignment or employment
documentation where the applicant is not the photographer.
·
the musical score;
·
lyrics, where applicable;
·
an audio recording;
·
names and roles of the
composer, lyricist, arranger and performers;
·
date of composition and
recording;
·
publisher or producer
details; and
·
agreements establishing
ownership of the relevant rights.
·
the complete audio
recording in the accepted medium;
·
title and duration;
·
recording date;
·
producer and performer
details;
·
details of the underlying
musical or literary works; and
·
producer, performer and
author agreements or permissions.
·
a complete copy of the
audiovisual work;
·
title, duration and
language;
·
script or screenplay;
·
production and publication
details;
·
credits identifying the
relevant contributors; and
·
agreements establishing the
producer’s ownership or authorization.
·
identification and
description of the program or database;
·
version number and
completion date;
·
technical description and
principal functions;
·
only the software,
source-code extract or other technical material specifically requested or
accepted by the Ministry; do not submit complete confidential source code until
the required scope, medium and confidentiality arrangements are confirmed in
writing;
·
screenshots and user
documentation, where relevant;
·
database structure and
selection or arrangement information;
·
developer details; and
·
employment, development or
assignment agreements establishing ownership.
At the filing stage, no official fees are payable.
If the application is accepted, the Ministry will issue:
·
an Acceptance Notice; and
·
an order to settle the
registration fees of BHD 25, electronically.
According to the Ministry’s current administrative practice,
the registration fee generally ranges from BHD 500 to BHD 2,000, depending on
factors such as the type of work, the required storage capacity, the number of
email accounts or related technical specifications, and any additional
requirements. Applicants may be requested to provide further details regarding
the work to enable the Ministry to determine the applicable fee.
Payment may be made through:
·
BenefitPay (for local
payments); or
·
Bank transfer (IBAN) (for
payments made from outside Bahrain).
The applicable legislation and current administrative
practice do not provide a formal administrative objection or appeal procedure
against the issuance of a copyright registration (deposit) certificate.
Where a dispute arises regarding ownership, validity, or
infringement of copyright, the available remedies include:
·
Submitting a complaint to
the Inspection Department of the Ministry of Information, which is responsible
for monitoring compliance with copyright legislation; and/or
·
Initiating proceedings
before the competent Bahraini courts.
Following the submission of a complaint, the Ministry may
assign an inspector to conduct an inspection and prepare an official inspection
report (إثبات حالة), documenting the factual circumstances
observed. Such report may serve as supporting evidence in subsequent judicial
proceedings but does not constitute a final determination of the parties’
rights.
Copyright infringement is generally assessed by comparing
the protected work with the allegedly infringing work to determine whether
substantial similarities exist.
Evidence submitted in support of an infringement claim may
include:
·
Copies of the original
copyrighted work;
·
Copies of the allegedly
infringing work;
·
Digital or electronic
evidence;
·
Documentary evidence
demonstrating ownership, creation, publication, or use; and
·
Any other relevant
supporting materials.
Where criminal infringement is alleged, a complaint may be
filed with the Public Prosecution, which may appoint a specialized expert to
examine the works and prepare a technical report assessing the extent of
similarity before deciding whether to proceed with the criminal investigation.
As a practical matter, copyright enforcement is generally
more effective where the protected work has been commercially exploited,
published, or otherwise made available to the public, as evidence of ownership,
use, and infringement is often easier to establish.
Where a work has never been commercially used, published, or
publicly disclosed, detecting and proving infringement may be more challenging.
Although copyright protection subsists regardless of commercial exploitation,
the absence of public use may present practical evidentiary difficulties during
enforcement proceedings.
Bahrain has a clear statutory basis for voluntary copyright
deposit. As of 30 July 2026, the public sources reviewed did not reveal a
comprehensive current online Ministry manual, unified application form,
category-specific filing specifications or current public fee schedule. This
search result does not prove that no internal, counter-service or separately
issued instructions exist. The procedural information in this guide therefore
combines the applicable legislation, WIPO’s identification of the competent
authority, a historical Bahrain government response to WIPO and recent local
filing experience. Applicant eligibility, filing route, current form,
power-of-attorney and chain-of-title formalities, apostille or legalization,
Arabic translations, work-copy format and quantity, confidentiality, official
fees and processing periods should be reconfirmed in writing with the
Directorate of Media Administration for each filing.
·
Bahrain Legislation and Legal Opinion Commission –
Law No. 22 of 2006
·
WIPO
Lex
·
Law No. 3 of 2011 on Amendments to Law on Trademarks
and Law on Copyright, Bahrain, WIPO Lex
·
https://www.wipo.int/documents/d/copyright/docs-en-registration-replies-bahrain.pdf
Intellectual property protection services
No. Copyright protection arises automatically when an
original literary, artistic or scientific work is created. Deposit or
registration is not a condition for protection. The procedure is more
accurately described as a voluntary copyright deposit and recordal.
The competent authority is the Ministry of Information –
Directorate of Media Administration, Kingdom of Bahrain. WIPO’s IP-office
directory uses the label “Bahrain Copyright Office”; the guide does not treat
this as a confirmed formal internal department title.
A deposit may be filed by the author; the owner of the
economic rights; a successor in title or assignee; a natural or legal person to
whom rights belong under an employment, commissioning or other agreement; or an
authorized representative acting under a power of attorney. Where a company is
the applicant, evidence establishing its title should be included.
The Directorate confirmed during the meeting described in
this guide that foreign applicants, including those without residence in
Bahrain, are permitted to file copyright deposit applications. Powers of
attorney, corporate evidence, chain-of-title documents, authentication or
legalization formalities and certified Arabic translations should still be
confirmed on a case-by-case basis.
The general checklist includes the completed application, a
power of attorney where applicable, identification documents, corporate
documents where the applicant is a company, assignment or chain-of-title
evidence where the applicant is not the author, a complete copy or
representation of the work, and certified Arabic translations where required.
The exact documentary requirements should be confirmed with the Directorate
before submission.
According to the Directorate, the certificate is generally
issued within 3 to 15 days for complete applications. This is an administrative
estimate rather than a legally binding deadline and should be reconfirmed for
each filing.
For literary and artistic works generally, the
economic-rights term is the author’s lifetime plus 70 years, beginning on the
first day of the calendar year following the year of death, except where
another rule applies. The applicable term depends on the type and ownership
structure of the work. Authors’ moral rights are perpetual, non-prescribable
and inalienable.
According to the Directorate’s confirmation reported in this
guide, a copyright deposit remains valid indefinitely and is not subject to
renewal or annual maintenance fees. This is distinct from the economic-rights
protection term, which depends on the type and ownership structure of the work.
Official fees should be reconfirmed in writing with the
Directorate of Media Administration for each filing. The Official Fees section
sets out the amounts and payment methods reported in this guide; the applicable
charges and any additional requirements should be confirmed for the particular
work.
The guide describes a temporary email-filing procedure
pending the launch of the electronic copyright registration system. The current
filing route, application form and submission requirements should be
reconfirmed with the Directorate for each filing.
No. The resulting record may support evidence concerning the
identity of the deposited work, the claimant and the date of deposit, but it
does not conclusively establish originality, authorship, ownership or
non-infringement.
The suggested supporting materials include a clear,
high-resolution colour reproduction, a black-and-white reproduction where the
applicant wishes to identify a monochrome version, the title, a description,
the designer’s details, creation and first-publication or use information, and
ownership evidence where the applicant is not the designer. These are suggested
supporting materials, not verified official category-by-category Ministry
requirements.
Only the software, source-code extract or other technical
material specifically requested or accepted by the Ministry should be
submitted. Do not submit complete confidential source code until the required
scope, medium and confidentiality arrangements are confirmed in writing. The
category-specific materials in this guide are suggested supporting materials,
not verified official Ministry requirements.
Copyright protection subsists regardless of commercial
exploitation. Where a work has never been commercially used, published or
publicly disclosed, detecting and proving infringement may be more challenging.
Those are practical evidentiary difficulties, not a condition for copyright
protection.
The category-specific lists below are suggested supporting
materials for preparing a complete and defensible filing. They have not been
verified as official category-by-category Ministry requirements. The historical
Bahrain response to WIPO stated that the same registration or recordation
process applied across different types of works and related-rights subject
matter.
|
Type of work |
Suggested
supporting materials and qualifications |
|
1. Logos, graphic designs, drawings and
two-dimensional artistic works |
· a clear, high-resolution colour reproduction of the final
work; · a black-and-white reproduction where the applicant also wishes
to identify a monochrome version; · the title or name assigned to the work; · a brief description of the visual elements and composition; · dimensions or proportions, where relevant; · the designer’s details; · the date and place of creation; · the date and place of first publication or use, if any; and · the agreement or other document establishing the applicant’s
ownership where the applicant is not the designer. Practical
note: Only the final version intended to be covered should ordinarily be
submitted. Materially different versions may be treated as separate works or
deposits. |
|
2. Applied-art works, product designs, packaging
artwork, architecture and three-dimensional works |
· colour photographs or renderings showing the complete work; · images from sufficient angles to show all material features; · technical drawings, elevations or plans where relevant; · a written explanation identifying the artistic, rather than
purely functional, elements; · dimensions and materials, where applicable; and · details identifying the designer and rights owner. |
|
· the complete manuscript or final written work; · a title page identifying the work and author; · number of pages and language; · publication details, if published; · publisher and printer details, where applicable; · edition number and completion date; and · details of the original work and translator if the work is a
translation. |
|
|
· high-resolution copies of the photographs; · a title or identifying number for each photograph; · photographer details; · date and location of creation; · publication details, where applicable; and · assignment or employment documentation where the applicant is
not the photographer. |
|
|
· the musical score; · lyrics, where applicable; · an audio recording; · names and roles of the composer, lyricist, arranger and
performers; · date of composition and recording; · publisher or producer details; and · agreements establishing ownership of the relevant rights. |
|
|
· the complete audio recording in the accepted medium; · title and duration; · recording date; · producer and performer details; · details of the underlying musical or literary works; and · producer, performer and author agreements or permissions. |
|
|
· a complete copy of the audiovisual work; · title, duration and language; · script or screenplay; · production and publication details; · credits identifying the relevant contributors; and · agreements establishing the producer’s ownership or
authorization. |
|
|
· identification and description of the program or database; · version number and completion date; · technical description and principal functions; · only the software, source-code extract or other technical
material specifically requested or accepted by the Ministry; do not submit
complete confidential source code until the required scope, medium and
confidentiality arrangements are confirmed in writing; · screenshots and user documentation, where relevant; · database structure and selection or arrangement information; · developer details; and · employment, development or assignment agreements establishing
ownership. |
For assistance with copyright protection, filing
requirements or enforcement in Bahrain, contact Alyafi IP Group to discuss your
work and the support you need.
Email our Bahrain team —
bahrain@alyafi-ip.com
Contact us | Visit Alyafi IP Group